Reviews - StyleAndEntertainmen  Click here to subscribe to a RSS feed of new reviews

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Flim & The BB's: TriCycle        (4 of 5 found this review helpful)
  June 6, 2008

Yeah - this disc sounds danm good. I owned this, and many other, early DMP recordings. The music is great progressive jazz that typically starts with a simple theme and builds/slams into more complex refrains. It was recorded as well as it could have been in the early eighties. It's a very heavy ... more
Natalie MacMaster: In My Hands        (2 of 2 found this review helpful)
  June 4, 2008

This is a terrific album! The opening number is one of the best. It's so good, in fact, that my 16 year old boy, came into the listening room to tell me how much he liked it. Now that's cross-over music, friends. The sound stage is very wide and the sonics are top notch. This album has become one ... more
Carpenters: The Singles 1969-1981        (5 of 7 found this review helpful)
  May 21, 2006

I have to agree with CompressionMustDie on this one. The disc is very good: great (if dated and sappy) songs, and well mixed for surround sound. But CMD is right - you can hear the compression in the upper registers. Cymbols and hi-hats suffer the most. If you can forgive a couple of flaws, and you ... more
Celine Dion: All The Way, A Decade Of Song      (5 of 5 found this review helpful)
  April 29, 2006

Yet another review by someone who is not a Celine Dion fan. Even so, this is a really great sounding album wiht lots of songs you'll recognize and enjoy. I can't imagine there is a better intro to Celine CD out there given the selection and the high quality sound. The 5.1 mix is good with very wide ... more
Bryan Ferry: Boys & Girls        (0 of 2 found this review helpful)
  November 21, 2005

A quick comment regarding the sonics of this album. It sounds good in MC. That said it does have a kind of "echoy closed in feeling, especially the opening cut. The cymbals sound a bit metallic on some songs, but since it's not harsh on all songs it's hard to tell if it's intentional or not. As with ... more

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