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October 10, 2011
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The best thing about this release is Hillborg's phrase "sado-modernism"! For me, the music is just too pointless and random. I guess I'm just not into this style anymore. The audio quality becomes a moot issue for me, but I suppose it does *sound* good--maybe a little distant. |
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July 19, 2011
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This is just a beautiful recording. The perspective is close so every detail is clearly captured, but there is plenty of ambiance. The music is great,too. Scarlatti may not be as melodically inventive as Handel or Corelli, but this is no amateur music! He makes frequent use of counterpoint, usually ... more |
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June 3, 2011
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I concur. This release is every bit as fine as volume 1. He has a new instrument for this recording, which has a bit less pronounced mid range than the previous one, which I find appealing. As before, he plays these pieces with amazing clarity, and his articulation brings out voices that other ... more |
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May 26, 2011
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Despite the silly title, which Finnish guitarist Petri Kumela explains in his notes, this is a stunning recording. I have not heard him play before, so I am thrilled to discover such a fine player. He has jaw-dropping technique, beautiful tone, and a huge dynamic range. The pieces are fabulous, too. ... more |
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January 2, 2011
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In most respects, this is a wonderful recording. Sergei has ample technique to effortlessly play these pieces. He never over-pedals, and as a result inner details are crystal clear. Quiet passages are beautifully poetic, and the dramatic passages are stormy without sounding like a jackhammer.
My ... more |
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