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User Details - tadekj
Name: |
Ted | |
Details: |
Listening to classical music & jazz from SACD and red CD’s Occasionally, listening to my old Vinyl of classical, jazz and Rock music. |
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Location: |
Mission Viejo, California | |
HiFi: |
Sony XA-777ES SACD Player with 5 channels analog out Doge 8 - 2 Channel Preamp Jolida Audio - JD1704RC - Integrated 3 channel Hybrid Stereo Amplifier BAT- VK60 tube Amplifier Krell KSA-200S SS Amplifier B&W Surround speakers HSU VTF-2 Subwoofer technics 1200 mk2 Turntable |
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Posts: |
12 |
Reviews |
Found: 0 |
August 19, 2012
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Thank you for your comments. Can anybody try to define stage by stage, what will be the ideal digital system recording and SACD play back? When analog wave should be converted to digital signals and when it should be converted back from digital to analog wave. Also tell me if A/D conversion should be to DSD or PCM. ... more | |
August 18, 2012
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So this is what is going on. First Analog signal from the microphone is amplified and later electronically convert to digital signal. This digital signal can be transformed to DSD or PCM and more or less cannibalized farther manipulated by sound engineers and saved as digital file to a hard drive. At the end digital file is transferred to be ... more | |
August 17, 2012
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You might be right. Al of this very complicated. I found this explanation on digital amp manufacturing side. What is a Class-D amplifier? The strict definition of a Class-D amplifier only requires that the output devices are used as switches. Fictitious class names that refer to switching amplifiers are actually referring to Class-D. Switching ... more | |
August 16, 2012
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So which way audiophiles should be going to process or don’t process DSD? Analog preamplifiers + amplifiers Digital amplifiers Digital processors + amplifiers (digital or analog) Receivers. Computers for FLAC files ... more | |
August 15, 2012
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I am not sure power transistors inside D class amp can handle 2.8224 MHz (64Fs) sampling frequency. I don't know. I would like to learn something here. ... more |
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