 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
|||||||||
|
User Details - M Bishop
Name: |
Michael Bishop | |
Details: |
Analog Recording, Mixing, Editing, and Mastering since 1971. Multi-channel Surround Music Recording since 1971. Digital Recording, Mixing, Editing, and Mastering since 1979. DSD Recording, Mixing, Editing, and Mastering since 1998. Over 450 Pure DSD releases, Stereo and Multi-channel Surround Sonoma 32-track DSD DAW Pyramix DSD/DXD DAW SADiE DSD/PCM DAW Sequoia PCM DAW EMM Labs ADC/DAC Merging Horus & Hapi ADC/DAC Playback Designs MPD-5 DAC Light Harmonic DACs MIT Oracle M-AX Interconnects Ampex ATR-104 Custom Tape Transport & Electronics Analog Mastering & Mixing gear by Maselec, SPL, Millennia Media, Dave Hill Designs, UpState Audio, Studer Stereo & 5.1 Monitoring by ATC, SLS, Avalon Acoustics, Magnapan |
|
Location: |
United States | |
HiFi: |
I've helped put the "Hi" in Hi-Fi. ;-) | |
Email: |
mbishop@fivefourproductions.com | |
Web: |
http://Recording.Pro | |
Posts: |
2 |
Reviews |
Found: 0 |
November 21, 2014
|
|
| I'm not surprised at the increase in DSD mastering projects. The proliferation of DSD-capable DACs at reasonable pricing has brought about a renewed interest in DSD recordings for sure. Having recorded, mixed, and mastered almost exclusively in DSD since 1998, DSD is all we see on an everyday basis. Obviously it's our preferred recording format ... more | |
June 1, 2010
|
|
| Why bother with "troublesome DSD?" I challenge anyone to find the maybe ONE note that was pitch-corrected at 192kHZ and edited into the 60 minutes of pure DSD program. The overall results show why I bother. Good tools are good tools, no matter the format. Best Regards, Michael Bishop ... more | |
|
||||
|
