In his review, George says, "This recording was done in the Domovina Studio in Prague, which is the same venue used by Praga for the Pražák Quartet's Beethoven cycle. While the Beethoven Quartets have "good" sound, the recording under discussion here is astonishing. I cannot say what is different: the microphones? the room within the studio?"
I quite agree. As I noted in the Borodin review, my favourite Praga discs (Borodin, Martinu, Haydn, Czech Degenerates) are by the Kocian Quartet. The same Sound Engineer team, Karel Soukenik & Václav Roubal, created those discs, plus the Prazak/Schubert disc whose sound I love AND the Prazak/Beethoven op.18 whose sound I find too "in your face" aggressive. So it isn't the Engineer.
I have enjoyed the Prazaks on disc and in person, but the Kocians manage to 'get on disc' better, somehow. I can only hope that Praga will discover what they are doing right on the Kocianova discs, and apply it elsewhere.
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